03 Nov 08 Stress-Free Scrapbooks:

Digital Photography for Busy Women by Laura Oles

I marvel at how much straightening and organizing I need to do at the precise moment I sit down to tackle a tough task. I’ve been on a mission to teach my grade school daughter the importance of tackling the most pressing issue of the day first. So, if she’s dreading cleaning her room or finishing a particular homework project, I tell her to do it now so she’ll spend less time worrying and more time enjoying the fact that the task is now complete.

Let’s just say that Mom’s still a work in progress where this lesson is concerned.

One such project that people tend to avoid is organizing their digital pictures for a scrapbook. It seems like such an overwhelming task that few have the intestinal fortitude to start at all. I’m here to tell you that you CAN do this, and not only can you do it, you might even like it! And the best part? Once you’ve completed the task (in far less time than you thought possible), you can order several copies for loved ones and check off multiple shopping ‘to-do’ items off your holiday list.

Decide on a Theme: Some people fret that creating a scrapbook requires ‘going back to the very beginning’ and organizing all your pictures on a chronological level. While this works for some, others find the process far too constraining (and exhausting). You don’t have to cover an entire year if that’s too much of a challenge. Maybe you just want to highlight your favorite pictures from the last few years and note the stories behind why those pictures are so special. Take ten minutes to skim through the pictures you have on the computer. Which ones would you like to include and why? Once you’ve made a few notes, a general theme or format will present itself. Now that you know where you’re going, you’re on the fast-track to having that beautiful book in your hands.

Software Shortcuts: There are so many great software programs available today that will help you ‘tag’ your favorite images so you can quickly find the images you care about the most. If you don’t want to use a software program or fret it may take too much time to find the right one, consider asking your trusted photo retailer which ones would be worth considering. Another alternative would be to create a separate folder on your computer hard drive, name it ‘Favorite Photos,’ and then copy your top picks to that folder.

Get it on Your Calendar: Wouldn’t it be great to have this project completed by December 1st? Yes, it’s possible! Put this order date on your calendar. You can then work backward and pick two time slots to dedicate to picking and organizing your favorite photos.

Let Your Photo Shop Do the Hard Work for You: Your local photo retailer can give you great advice regarding which scrapbook options are available and how long they take—which isn’t long at all these days! Treat yourself to a visit to the shop to discuss your scrapbook ideas. Their knowledgeable staff can guide you through the process and show you just how easy it is to create this amazingly personal and cherished present.

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27 Oct 08 Studio Lighting on a Budget

By Derek Martin at Roberts Imaging

So, I’ve been busy the past few days moving product on our site into new, more visible categories (for your convenience), so I’m sorry I haven’t had time to finish the bokeh series yet, but I really want to have some nice reference shots to go with it. I’ll try and have that ready for you before the end of the week.

So, let’s talk a moment about a subject I’ve been reading up on lately: professional studio lighting. Now, as most of the world is aware, the US is currently having some jitters when it comes to the economy, and as most photographers know, studio lighting can be a very money-intensive thing. Can be. But, that’s not always true.

Lastolie Ezybox

First off, I’m seeing more and more studio-style lighting done with small flashes. That is to say, people are using their Canon flashes or Nikon flashes more and more. Flashes like the SB-900 or Olympus’ FL-50r now have wireless master controls built in, and with everything from bounce reflectors to small softboxes now available for these type of units, what used to be on-camera flash systems are finding their way off and opening up worlds of flexibility and portability in lighting.

RPS Studio 3-Light Kit And that’s all very cool. But, what if you’re like, just starting out on your equipment acquisition and you want to, say, shoot white seamless product and fashion shots (hey, I’m a designer, we’re all commercial at heart, baby)? For that you need at least three light sources, and SB-800s, SB-900s, FL-50rs, and 580EX IIs will add up in those quantities. So, how about three monolights with stands and umbrellas for less than any of those flashes? Well, then, take a look to your right at the RPS Studio RS-SB/SLK3. Three 160ws monolights (more than enough power for small studios and garage studios) with stepless output down to 1/8 power, two white umbrellas (you can shoot through them like softboxes for more diffuse light), a nice silver umbrella (I did say fashion earlier, afterall), and hey, it’s got IR triggers, so you can still work wirelessly. I’m budgeting one of these kits for myself, because it’s the perfect way for the newcomer to professional studio lighting to get their feet wet without making their wallet dry. And that’s pretty A-OK in my book.

http://blog.robertsimaging.com/blog/roberts-imaging

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08 Aug 08 User Tip before sending in for repair

A lot of times we see cameras come in that are simple tech support problems. Not only does it waste the technicians time but it also wastes the camera owners time. The nice thing about tech support nowadays is that you can get it online, free, quick and easily. Here is an example.

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Customer sends in a Nikon D80 for repair stating “Getting Error code whenever I turn the camera on”

We now spend hours diagnosing the problem which we do not see. After the technician determines the camera is funtional the camera is now handed to the Quality Control department to verify this. The Quality Control department will contact the customer trying to figure out the problem. Even though previously asked the customer will then say that the Error code is F–

If the customer checked with Nikon’s Knowledge Databse prior to sending her camera in for repair then a lot fo time have been saved for both parties. F– is Nikon’s way of telling you that your lenses aperture ring is not locked.

The following link is for Nikon’s Knowledge Database
http://support.nikontech.com

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This blog post is not stop our customers from sending their equipment in of course. This is why we are here. It is just a tip to help save possible wasted time that could be spent capturing more memories.

Thanks for reading.